By Elizabeth Millán
regardless of the various philosophies of the individuals, those essays jointly represent an impressive case opposed to the bad influence of avant-gardism on our lives and aesthetic tradition. The essays contain the next, between others: a research of anti-modernist painter peculiar Nerdrum, who sees modernist paintings as totalitarian; a critique of the avant-gardist overlook of mimesis as a key to artwork; an overview of the finish of art”; a critique of recent paintings in gentle of the aesthetic damage principle”; an exam of Popper's objections to progressivism in track; the presentation of a brand new paradigm for literature.
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After the Avant-Gardes by Elizabeth Millán