By Howard E. Smither
Volume 1, divided into 3 components, opens with the exam of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with distinctive cognizance to the earliest works for which the time period oratorio turns out acceptable. the second one half recounts the advance of the oratorio in Italy, circa 1640-1720. It reports the social contexts, consumers, composers, poets, librettos, and track of the oratorio in Italy, in particular in Vienna and Paris.
The process tailored in the course of the paintings is to regard first the social context, fairly the situations of functionality of the oratorio in a given quarter and interval, then to regard the libretto, and at last the song. for every geographic sector and interval, the writer has chosen for precise cognizance a couple of oratorios that seem to be really vital or consultant. He has confirmed the data provided within the really expert literature at any time when attainable by means of connection with the track or files. In a couple of components, specific seventeenth-century Italy, during which really few earlier reports were undertaken or secondary resources have confirmed to be insufficient, the writer has tested the first assets in manuscript and published shape -- tune, librettos, and records of early oratorio background. striking examine and clever integration of disparate components make this advanced, diffuse topic either readable and obtainable to the coed of music.
Volume 2, The Oratorio within the Baroque period: Protestant Germany and England, and quantity three, The Oratorio within the Classical Era, proceed and extend the examine of oratorio heritage. even if this sequence used to be initially introduced as a three-volume examine, Smither will finish with a fourth volume.
This new work--the first English-language examine of the heritage of the oratorio turns into the normal paintings on its topic and a permanent contribution to tune and scholarship.
Originally released in 1977.
A UNC Press Enduring variation -- UNC Press Enduring variants use the newest in electronic know-how to make on hand back books from our extraordinary backlist that have been formerly out of print. those variants are released unaltered from the unique, and are awarded in reasonable paperback codecs, bringing readers either ancient and cultural value.
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Extra resources for A History of the Oratorio: Vol. 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris
A History of the Oratorio: Vol. 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris by Howard E. Smither